Where Are You Going, Where have You Been Essay Example for Free

Where Are You Going, Where have You Been Essay Vanity can be uncovered as ones biggest shortcoming. Where Are You Going, Where have You Been, a short story composed by Joyce Carol Oates, portrays Connies confusion of magnificence as her solitary worth, and furthermore the manners by which Arnold Friend, a potential attacker and killer, controls and exploits Connies vanity. Connie is a multi year old young lady who knows the degree to which her excellence can be utilized to further her potential benefit. Connie realized she was pretty and that was everything. Be that as it may, excellence causes Connie to get vain, and in this way gives Connie the misguided judgment that she is more impressive than the young men that are pulled in to her. This demonstrates Connie trusts her excellence permits her to rise above others, particularly young men. Accordingly, in spite of the fact that her beauteous constitution can be viewed as an advantage to Connie, her vanity demonstrates to turn into her definitive shortcoming and it prompts her death as observed when Arnold Friend states I took an extraordinary enthusiasm for you, such a pretty young lady. Connie gets weak in Arnold Friends nearness since he controls and exploits her vanity and want for consideration. Connies recently discovered sexuality as a high schooler gives her authority over the young men she experiences at spots, for example, the fly-swarmed drive in, which she depicts as a safe house and gift they longed for. The drive, wherein is fly-pervaded as a general rule, is the sacrosanct structure where Connie accepts that her magnificence can be genuinely valued, while at her home, excellence isn't recognized in any way. Accordingly, Connie further grasps her excellence so as to satisfy her requirement for consideration. In her trashy fantasies, Connie portrays young men as disintegrated into a solitary face that was not by any means a face yet a thought. Connie is more lured by having a sweetheart, which shows that she couldn't care less much for the real kid. This permits Connie to be all the more handily overwhelmed by Arnold Friends mask when he first approaches her home to remove her. This is obvious when Connie states that for a second [Arnold] wasnt even in concentrate however was only a haze remaining there against his gold vehicle This shows Arnold turns into the idea of aâ boyfriend to Connie, which isn't even a face yet a thought. Arnold in the end utilizes his chance as a potential sweetheart to compliment and at last overwhelm Connie at long last. A longing can sabotage ones capacity to monitor ones self from enticing variables. Connies absence of consideration from her family, particularly her dad, causes her longing to be needed by a man. Her longing for consideration is seen by Arnold Friend, and along these lines he utilizes that craving furthering his potential benefit. By transforming Connies want into her shortcoming, he utilizes manipulative strategies to overwhelm her vain character. As a young person, Connie can't genuinely recognize herself. Connie is both a girl and a sister to her family. Be that as it may, her vanity and triviality makes her become a sexual article to young men too, and subsequently she is bothered concerning which job she can really distinguish herself with. Because of Connies personality emergency, Arnold Friend utilizes this to further his potential benefit and overwhelms Connie by further muddling her with blended sentiments of both savagery and enthusiasm. This is apparent when Arnold takes steps to hurt Connies family while endeavoring to entice her with sweet talk, for example, I like them the manner in which you are, nectar, too. Arnold Friend mentally controls Connie by acting both cherishing and fierce, and this causes Connie to get feeble in Arnolds nearness since she isn't familiar with a guys who are so bipolar in feelings towards her. In any case, there is no surge or earnestness as Arnold Friend coolly talks with Connie. This develops to the tension up until Connie at long last understands the threat she is in and everything she could do is shout into the telephone. Despite the fact that Connie is up to speed between the characters of being a girl, sister, and an object of sexuality, Connies reason for these various jobs is fixed upon physical appearance. Connie thinks about her excellence to her mom and sister, and she is continually checking different people groups countenances to ensure her own was good. This shows Connie on a very basic level qualities physical magnificence over every other factor. Albeit a twisted experience is foreshadowed when Arnold cautions Connie going to get you, darling, Connie permits Arnold to chat with her since she loved the manner in which he was dressed. This further demonstrates Connie is drenched with just the shallow, and thisâ gives Arnold the opportunity to overwhelm Connie by turning out to be what she wants. Arnold knows that Connie is basically worried about external appearances, and this permits him to introduce himself in an attractive way towards Connie. Connies powerlessness to dismiss the shallow in time brought about her inability to perceive Arnolds camouflage, and consequently he had the option to overwhelm her. In spite of the fact that Connie considers herself a gifted tease, she is before long generalized as just the pretty young lady. Arnold Friend says, What else is there for a young lady like you yet to be sweet and beautiful and surrender? This demonstrates Connie, a young lady who esteems magnificence as the best worth, will be unavoidably overwhelmed by a man who esteems and wants excellence also. Music is both a safe house and presentation to Connie. At whatever point Connie hears music, she feels a sparkle of moderate beat satisfaction that appeared to rise bafflingly out of the music itself. Connie was about the music that made everything so great. Music is made into such a significant element, that it is nearly given its own character. Music represents security and wellbeing, and she even depicts the music at the drive-in as music at a chapel gathering; it was something to rely on. By contrasting it with chapel, she demonstrates that music is a type of religion to her. In any case, music as a religion doesn't bring Connie salvation. Despite the fact that music is viewed as Connies shelter, it prompts her feebleness before Arnold Friend. One manner by which Arnold can pick up Connies trust is through his mask and poor endeavor to become like the man in the well known young tunes. Be that as it may, music is likewise a factor controlled by Arnold and he utilizes it against her. Music is an asylum for Connie and Arnold knows about that. A similar tune that was playing both Connies home and Ellies vehicle appeared to mix together. The music, vehicle, and outfit is totally utilized by Arnold Friend as an approach to turn into the kind of sweetheart portrayed in the high schooler tunes, and Connie succumbs to this appearance and acknowledges his veneer. Arnolds discourse was spoken with a slight cadenced lilt and Connie some way or another remembered them Connie accepts that she perceives Arnold simply because he appears to have come out from the high schooler tunes she generally tunes in to. As Connie acknowledges Arnold isn't the admired man in the tunes, she loses acknowledgment of everything that she knows about. She says that the kitchen seemed as though a spot she had never observed. This shows that Arnold removes more than Connies music; he removes Connies life and everything else she knows about. Connie misjudges that everything is how it was in motion pictures and guaranteed in melodies. She accepts that her life will duplicate the specific sweetheart and life that is guaranteed in the melodies, which is only a negligible dream and fancy in Connies case. Accordingly, Arnold tempts Connie by seeming, by all accounts, to be what was guaranteed in the tunes, and overwhelms Connie by utilizing music as an apparatus. Arnold Friend is further ready to overwhelm Connie on the grounds that she is uncertain of her character that she has at home and wherever else that isn't home. Young people frequently are pained by the way that they are no longer youngsters, yet they are still not yet grown-ups. Therefore, Connie grasps the main thing she is sure of; her magnificence. By overemphasizing the estimation of excellence, she becomes vain and egotistical. In spite of the fact that she is pained by her young unrest, her family doesn't give her any ethical help or direction. Like Arnold Friend, her family isn't what they appear. Arnold puts on a pretense so as to turn into the glorified man in well known youngster melodies. In closeness, her folks have all the earmarks of being ordinary guardians, however they end up being halfway disconnected from Connies need. Connies father was away grinding away more often than not, and didnt trouble talking a lot to them. Thus, Connie expected to look for male consideration somewhere else, for example, from the young men at the drive in. Arnold Friend knew about Connies want for consideration, particularly from guys, and in this manner utilized it to further his potential benefit to overwhelm her. Indeed, even her mom appears to not be worried about Connies want for consideration. In spite of the fact that on occasion Connie and her mom are nearly companions over espresso, an issue emerges that makes the two contend over something of little incentive to both of them. Connie shows that her mom had been pretty once as well and subsequently, Connie accepts that her mom inclines toward her over June, who is plain and stout and consistent. This urges Connie to accept that genuine worth lies in excellence, and along these lines she tragically embraces vanity. This prompts Arnolds control of Connies magnificence and want, which prompts his strengthening over Connie. Because of her folks absence of concern and direction, Connie is frail when gone up against by Arnold Friend. She doesn't have the foggiest idea how to safeguard herself,â and just depends on her being a tease, her magnificence, and the dream that music speaks to. Connie was not educated by her folks the proper behavior towards outsiders. This is clear in light of the fact that Connies guardians would not pose her conspicuous parental inquiries, for example, Where are you going? or on the other hand Where have you been? Because of the guardians absence of concern, Connie exploits her folks indifferent trust and goes out to places where guardians would as a rule object to. In any case, Connie feels remorseful about beguiling her mother, who is straightforward and kind enough But the allurements of the drive-in and the young men overwhelm that blame. This portends Connies